You can jump, double jump, dodge roll, and block/parry, as well as the ability to hang on and shimmy along certain ledges. Moving around is similar to pretty much every other 3 rd-person game. The gameplay in Kena is nothing new and relatively simple, drawing aspects from many other titles.
It perfectly suits the game’s overall “adventure-ish” nature. Thus, it was difficult to hear what the characters had to say during some scenes. The sound is excellent, but the dialogue volume is a little lower than the music in several sequences. The movement & combat animations are equally good, which I suppose should come as no surprise since the game comes from an animation studio.
Kena is visually impressive, with vistas that are quite something to behold. A nice mountainside view for some meditation with my Rots. Apparently in 2021, all games need this “diversity & inclusion” box checked purely for the sake of having it. However, Ember Lab shoehorned in an interracial lesbian relationship involving two story NPCs. Key moments are told through expertly animated cutscenes, and the voice acting is appealing. The story, while not entirely groundbreaking, is enjoyable and good for the most part. As such, you’ll need to find out why this has happened and how you can stop it. On your journey, you discover that corruption has taken over the valley. You travel to an abandoned village in search of the sacred Mountain Shrine. You play as Kena: a spirit guide tasked with helping stuck spirits move on. However, after playing Kena, I’m happy to report that it’s been a great experience, even with some minor technical issues. We didn’t get many gameplay trailers, and there was a review embargo until launch day. In the weeks prior to launch, there were some concerns. Kena: Bridge of Spirits is the first venture into video games by animation studio turned developer, Ember Lab.
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