Really pro sound.īut, i assure you that micro has its character also, and you wont regret your choice. Theres nothing like it when you let sequence of minitaur play, and then tweak the filter, and then put it trough reverb/delay/chorus.
Sometimes it feels that it can make only “classic” synth basses, but its awesome for chicago/detroit/acid basses. Practically no processing required to get super low end. Only thing that can dissapoint you is patch memory, nothing else really… sounds really great but not “moog” sounding.īut if you wanna hear (and feel!) your speakers shake like never before, choose minitaur. With a space-saving 25-note mini-keyboard and weighing in at only 1.75kg, the MicroBrute Analog Synthesizer is truly compact and bijou, but punches well above its weight with a rip-roaring analogue sound spanning woofer-flapping bass, screaming leads, ear-opening effects, wave-folded growls, punchy drum sounds galore, and much in-between and.
If you have lower budget and dont need patch memory, but you just want to make sounds and have fun, choose MB. I dont even use that cause its such a pain in the ass. MB has no memory for patches, but anyway, minitaur is really clumsy and frustrating in that feature. If you wanna do sexy deep funky house music, get minitaur.īut if you want to make techno/electro sounds get MB. Definitelly can make good basses, especially if you make electro music. Sounds more dirtier and kinda harder but it is lovely. And the filter is so juicy.īut i am so angry i sold my MB.
It features a multi-mode filter, various oscillator modes and a patch bay for. With Minitaur is definitelly faster to achieve massive low end territory. The Microbrute is a single oscillator mono-synth.
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